Genre Archives: Concerts

The Motet

JamBase Presents:
The Motet with Special Guests

8pm doors || $20 advance || All ages, bar with ID

Please note:
Online ticket sales end one hour prior to show.
All ticket sales are nonrefundable & nonexchangeable.

ADA seating requests:
Purchase tickets & email [email protected].
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Biography:
The future of funk is clear on The Motet’s new self-released studio album, Totem, which hits streets July 8, 2016. The 12 tracks on Totem, all originals, cover a lot of ground stylistically while never losing sight of the groove. Produced by Lettuce and Soulive guitarist Eric Krasno, Totem was written collectively by the seven members of the band. Each song is steeped in The Motet’s signature style that slaps you in the face with sounds that are fresh and unique.

The recent addition of singer Lyle Divinsky, who joined the band in early 2016, fans the flames of this already hot band. His sinfully soulful voice and rich lyrics are powerfully prevalent throughout Totem. “There was a month and a half between the time I joined the band and when we went into the studio,” explains Divinsky. “I wound up writing the lyrics and melodies to four songs, and re-wrote the lyrics to two. It gave me and the band an opportunity to really connect musically. We’re deeply proud of this album and it’s very exciting to have this new material to push out as we begin this next phase of The Motet’s journey.”

The brilliance of The Motet is that they do not mimic bands of the past, but rather create new, authentic sounds in a language from the past. One might explain the difference like the process of writing a poem in Old English or Aramaic: first, you have to learn the language by digging into the past, then you can express yourself in the present – and say anything you want – using that language.

No matter how you choose to express funk, you can’t fake it – and you sure as hell can’t play it – if you don’t know where to find it.

NAILS

Take Warning Presents:
NAILS with Toxic Holocaust + Gatecreeper

7pm doors || $15 advance || All ages, bar with ID

Please note:
Online ticket sales end one hour prior to show.
All ticket sales are nonrefundable & nonexchangeable.

ADA seating requests:
Purchase tickets & email [email protected].
Please include the show date & a description of your needs.

Biography:
Little is known about extreme sonic terrorists Nails (and that’s the way they like it) save that the trio hail from Southern California and consists of vocalist/guitarist Todd Jones (ex-Terror, Betrayed, Carry On, Snake Eyes, Internal Affairs), bassist John Gianelli, and drummer Taylor Young, and that their music takes hardcore to its illogically extreme conclusion (beyond grindcore, crustcore, etc.). So limited is the band’s appeal, in fact, that their first two albums (if you can call them that, seeing as their ultra-brief songs add up to a mere 15 minutes in length), 2009’s Obscene Humanity EP and 2010’s Unsilent Death, were both issued in limited runs of 1,000 copies, before the latter gained wider distribution through a Southern Lord reissue. A second proper album, the hyper-intense and ultra-compact Abandon All Life, arrived on the label in 2013. The trio returned with their slightly longer yet just as intense third album, You Will Never Be One of Us in 2016, after signing a new deal with Nuclear Blast.

Old 97’s

Emporium Presents:
Old 97’s with Ha Ha Tonka

6:30pm doors || $20 advance || 21+

Please note:
Online ticket sales end one hour prior to show.
All ticket sales are nonrefundable & nonexchangeable.

ADA seating requests:
Purchase tickets & email [email protected].
Please include the show date & a description of your needs.

Biography:
Since the Old 97’s roared out of Dallas more than fifteen years ago, they have blazed a trail through alt-country and power-pop, led by the piercingly observant lyrics of lead singer Rhett Miller. Each new Old 97’s record is hotly anticipated, and rightfully so: “Blame It On Gravity,” from 2008, contained some of the band’s most deeply felt and passionately played songs. But in a career full of high-water marks, “The Grand Theatre Volume 1” is perhaps the most ambitious and accomplished set of recordings yet.

The album, the band’s eighth, began to come together last year, when Miller was on a solo tour of Europe with Steve Earle. “When I started in this band, I wrote on the road constantly,” Miller says. “But I was 23 then, so everything was new to me. Over the years, those strange and wonderful things have begun to feel more commonplace. On the familiar highways, in familiar hotels, it’s pretty easy to turn into a zombie. But on this tour, I was in England and Ireland and Scandinavia, places where I haven’t spent very much time in, and because of that things seemed somehow fresh. I felt recharged. In these old British theaters, you sit around in ancient dressing rooms filled with these objects that could only be in these ancient dressing rooms. It was all very inspiring instead of tiring.”

Strand of Oaks

Neumos & KEXP Present:
Strand of Oaks with Heather McEntire (of Mount Moriah)

8pm doors || $19 advance || 21+

Strand of Oaks has partnered with Plus 1 so that $1 from every ticket sold will go to support Planned Parenthood and their work delivering vital reproductive health care, sex education, and information to millions of women, men, and young people in the US and worldwide.

Please note:
Online ticket sales end one hour prior to show.
All ticket sales are nonrefundable & nonexchangeable.

ADA seating requests:
Purchase tickets & email [email protected].
Please include the show date & a description of your needs.

Biography:
Hard Love, Tim Showalter’s latest release as Strand of Oaks, is a record that explores the balancing act between overindulgence and accountability. Recounting Showalter’s decadent tour experiences, his struggling marriage, and the near death of his younger brother, Hard Love emanates an unabashed, raw, and manic energy that embodies both the songs and the songwriter behind them. “For me, there are always two forces at work: the side that’s constantly on the hunt for the perfect song, and the side that’s naked in the desert screaming at the moon. It’s about finding a place where neither side is compromised, only elevated.”

During some much-needed downtime following the release of his previous album, HEAL, Showalter began writing Hard Love and found himself in a now familiar pattern of tour exhaustion, chemically-induced flashbacks, and ongoing domestic turmoil. Drawing from his love of Creation Records, Trojan dub compilations, and Jane’s Addiction, and informed by a particularly wild time at Australia’s Boogie Festival, he sought to create a record that would merge all of these influences while evoking something new and visceral. Showalter’s first attempt at recording the album led to an unsatisfying result—a fully recorded version of Hard Love that didn’t fully achieve the ambitious sounds he heard in his head. He realized that his vision for the album demanded collaboration, and enlisted producer Nicolas Vernhes, who helped push him into making the most fearless album of his career.

Zveri

Neumos Presents:
Zveri with Special Guests

8pm doors || $65 advance || 21+

Please note:
Online ticket sales end one hour prior to show.
All ticket sales are nonrefundable & nonexchangeable.

ADA seating requests:
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Biography:
Zveri (Russia) will play its biggest hits in the program called ZVERI – The Best

Black Joe Lewis & The Honeybears

Neumos & KEXP Present:
Black Joe Lewis & The Honeybears with Special Guests

Each ticket purchased by Friday, February 10 will come with a free download of “Backlash”. An email will be sent with instructions.

8pm doors || $18 advance || 21+

Please note:
Online ticket sales end one hour prior to show.
All ticket sales are nonrefundable & nonexchangeable.

ADA seating requests:
Purchase tickets & email [email protected].
Please include the show date & a description of your needs.

Biography:
Austin-based Black Joe Lewis is a contemporary singer and guitarist with a bent toward vintage blues, soul, and R&B. Backed by his band the Honeybears, Lewis draws inspiration from such legendary “shouters” as Howlin’ Wolf, Wilson Pickett, and James Brown, as well as smoother crooners like Sam Cooke. Black Joe Lewis released his debut album on Weary in 2007. Around the same time, his appearance at the South by Southwest Festival in Austin, TX, garnered increased fan and press support. In 2009, Black Joe Lewis & the Honeybears released Tell ‘Em What Your Name Is! on Lost Highway, produced by Spoon drummer Jim Eno. The band toured relentlessly over the next year before they reconvened at Austin’s Public Hi-Fi studio with Eno to record their even grittier follow-up, Scandalous. The set contained an appearance by the gospel group the Relatives on “You Been Lyin’.” Scandalous was released on Lost Highway in March of 2011. ~ Matt Collar

Deafheaven

Neumos & KISW Present:
Deafheaven with This Will Destroy You + Emma Ruth Rundle

8pm doors || $20 advance || All ages, bar with ID

Please note:
Online ticket sales end one hour prior to show.
All ticket sales are nonrefundable & nonexchangeable.

ADA seating requests:
Purchase tickets & email [email protected].
Please include the show date & a description of your needs.

Biography:
Deafheaven is a California-based act that has garnered acclaim for their signature hybrid sound of black metal, shoegaze, and post-rock. On October 2 the band will release their next album New Bermuda on ANTI-.

Formed in 2010 in San Francisco, California, the band has released two studio albums on Deathwish; Roads to Judah in 2011 and their lauded Sunbather in 2013. Sunbather received accolades from NPR on their Favorite Albums of 2013 list, a coveted Best New Music at Pitchfork, the Best Metal Album of 2013 per Rolling Stone, a 9/10 star review from Decibel Magazine, and it was the highest rated album of 2013 according to Metacritic. Deafheaven have spent the last two years touring extensively nationally and around the world with shows in Australia, Japan, Asia, Europe, Russia, the UK, and Canada with festival appearances at Pitchfork, Bonnaroo, Primavera, Roskilde, Fun Fun Fun, FYF Fest, SXSW, Basilica Sound Scape 14, Corona Capital, ATP Iceland, amongst others.

Flux Pavillion

This ticket includes entry to show for 1 person along with suite access. Included in suite is private bathrooms, private bar, and an amazing view. Upon entry please go to will call window to receive your suite access. NO MEET AND GREET INCLUDED.

Senses Fail

Showbox Presents:
Senses Fail with Counterparts + Movements + Like Pacific

6:30pm doors || $16.50 advance || All ages, bar with ID

Please note:
Online ticket sales end one hour prior to show.
All ticket sales are nonrefundable & nonexchangeable.

ADA seating requests:
Purchase tickets & email [email protected].
Please include the show date & a description of your needs.

Biography:
Comprising vocalist James “Buddy” Nielsen, guitarists Dave Miller and Garrett Zablocki, bassist Michael Glita (former percussionist for Tokyo Rose), and drummer Dan Trapp, New Jersey outfit Senses Fail developed a slick amalgam of post-hardcore chuggery and emo heartbreak that recalled fellow New Jersey-based group Saves the Day. Formed in 2002 in Bergen County, Senses Fail quickly issued a debut EP and began gigging regularly while maintaining a thriving Internet presence.

Drive-Thru Records took notice and signed the group in late 2002. A revamped version of the From the Depths of Dreams EP appeared in April 2003; it featured improved sound, one new song, and an acoustic version of the track “Ground Folds.” A tour with the Used wrapped up the year in successful fashion, while From the Depths of Dreams cracked the Billboard 200 and helped poise Senses Fail for a commercial breakthrough. After more heavy touring and a bit of label drama, 2004’s Let It Enfold You — named after a Charles Bukowski poem — was released that September through Vagrant/Drive-Thru; a deluxe edition with bonus tracks arrived one year later. The band also contributed a cover of Suicidal Tendencies’ “Institutionalized” for 2005’s Tony Hawk’s American Wasteland video game soundtrack. Relentless touring persisted before the bandmates began work on their sophomore effort, which saw Senses Fail hitting the studio in May 2006 with producer Brian McTernan (Thrice, Cave In) and a new guitarist, Heath Saraceno (the former Midtown member wound up permanently replacing Miller, who’d previously left the group).

A main-stage spot on the American Warped Tour helped the revised band hone its chops, as did a stint with the Taste of Chaos tour in the U.K. Both appearances led up to the release of the explosive Still Searching, which deemphasized the band’s screaming vocals in favor of an energetic, emo-tinged sound. Bassist Mike Glita left the lineup one year later, and Hot Water Music’s Jason Black climbed aboard as a temporary replacement during the recording of Life Is Not a Waiting Room, which arrived in October 2008. The following year, guitarist Heath Saraceno announced he was leaving the band. He was replaced by Zack Roach, and shortly afterwards the band returned to the studio. In 2010, their fourth album, The Fire, was released on Vagrant. The group’s fifth studio long-player, the well-received Renacer, was the first Senses Fail album to not feature founding member Garrett Zablocki, and would be the last outing with longtime drummer Dan Trapp. In 2015 the band inked a deal with Pure Noise Records and released Pull the Thorns from Your Heart. ~ Johnny Loftus

Ty Segall

Neumos & KEXP Present:
Ty Segall with Axis Sova + Weird Omen

8pm doors || $25 advance || All ages, bar with ID

Click here to purchase tickets to the Friday, March 3 21 plus show.

Please note:
Online ticket sales end one hour prior to show.
All ticket sales are nonrefundable & nonexchangeable.

ADA seating requests:
Purchase tickets & email [email protected].
Please include the show date & a description of your needs.

Biography:
get in the booth –

punch in the number

when they pick up

don’t say a word

just listen

shout at the double

from the damned from

a dry throat

dry eye chuckle

insistent / elastic (but never plastic)

thick / butt jump pierced by

the kids

sweet angel voice sinister

(what are they thinking)

guitars sliced with scribble

graffiti sprawled across the hemispheres; stuttered, stunted, dual-mono machine dreams flashing sudden stereophobic and back again / two screens alone together

squeezing shaking oozing metallic pool like brain blood,

slowly draining away all mental life.

shaking ass / nihility at most corrodes

candy’s gone no more

fun

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